183 Free Artworks of Cocked Hat

paper british museum satirical prints in the british museum prints by james gillray in the british museum james gillray prints by isaac cruikshank in the british museum isaac cruikshank grandville (caricaturist)prints in musée carnavalet symbolism

The Explanation, James Gillray, 1798

prints by james gillray in the british museum "the explanation" by gillray

Les sacrefices forces, Isaac Cruikshank, 1789

prints by isaac cruikshank in the british museum satirical prints in the british museum

Fatigues of the Campaign in Flanders, James Gillray, 1793

prints by james gillray in the british museum satirical prints in the british museum

Fatigues of the Campaign in Flanders, James Gillray, 1793

prints by james gillray in the british museum satirical prints in the british museum

Half seas over. Alias the hopes of the family, Isaac Cruikshank, 1794

prints by isaac cruikshank in the british museum satirical prints in the british museum

Half seas over. Alias the hopes of the family, Isaac Cruikshank, 1794

prints by isaac cruikshank in the british museum satirical prints in the british museum

The lion's share., James Gillray, 1797

prints by james gillray in the british museum satirical prints in the british museum

The Poor Blacks going to their Settlement, William Dent, 1787

prints by william dent in the british museum satirical prints in the british museum

The slave king or the subjects kings/ Female patriotism, Isaac Cruikshank, 1789

prints by isaac cruikshank in the british museum satirical prints in the british museum

Egyptian Sketches, James Gillray, 1799

prints by james gillray in the british museum satirical prints in the british museum

La rue Mouffetard. 24. G.10600(2), En 1844

prints in musée carnavalet les quartiers de paris

La rue Mouffetard. 24. G.10600, En 1844

prints in musée carnavalet les quartiers de paris

Supplementary-Militia, turning-out for Twenty Days Amusement., James Gillray, 1796

prints by james gillray in the british museum satirical prints in the british museum

Glorious Reception of the Ambassador of Peace, on his Entry into Paris-, James Gillray, 1796

prints by james gillray in the british museum satirical prints in the british museum

Destruction of the French gun-boats- or- Little Bonney & his Friend Talley in high Glee., James Gillray, 1803

prints by james gillray in the british museum satirical prints in the british museum

Plus on avance, moins on pénètre l'horrible mystère. (caricature). G.8727 (2 of 2), Vers 1837 — 1847

anthropomorphic dogs symbolism

Enchantments lately seen upon the Mountains of Wales,-or-Shon-ap-Morgan's Reconcilement to the Fairy Princess., James Gillray, 1796

prints by james gillray in the british museum satirical prints in the british museum

Revolution, Isaac Cruikshank, 1790

prints by isaac cruikshank in the british museum satirical prints in the british museum

The ghost or the closet scene in Hamlet, Isaac Cruikshank, 1799

prints by isaac cruikshank in the british museum satirical prints in the british museum

The grand review of Sydenham Common, Isaac Cruikshank, 1792

prints by isaac cruikshank in the british museum satirical prints in the british museum

Malagrida, driving post., James Gillray, 1792

prints by james gillray in the british museum satirical prints in the british museum

A will o' the wisp or John Bull in a bog!, Isaac Cruikshank, 1796

prints by isaac cruikshank in the british museum satirical prints in the british museum

The quarrelsome fellow., Isaac Cruikshank, 1789

prints by isaac cruikshank in the british museum satirical prints in the british museum

The quarrelsome fellow., Isaac Cruikshank, 1789

prints by isaac cruikshank in the british museum satirical prints in the british museum

The Gamester Bes--t, or, a new way to win money, William Dent, 1784

prints by william dent in the british museum satirical prints in the british museum

Panurge seconded by Harlequin Deodat in the Irish Crusade 1689., Romeyn de Hooghe, 1689

satirical prints in the british museum prints by romeyn de hooghe

Panurge seconded by Harlequin Deodat in the Irish Crusade 1689., Romeyn de Hooghe, 1689

satirical prints in the british museum prints by romeyn de hooghe

Le Carnaval. G.30390, Hippolyte Bellangé, En 1825

prints in musée carnavalet hippolyte bellangé

. empressées, Auguste Desperet, En 1833

collections of maison de balzac camille de montalivet

Inconvénients d'un lampion éteint. n°2 de l'album Les Embellissements de Paris, G.10446

les embelissements de paris prints in musée carnavalet

L'Ecole des Voyageurs N°3 Le passe-port oublié, G.5923, En 1839

prints in musée carnavalet l’école des voyageurs

L'Ecole des Voyageurs N°3 Le passe-port oublié, G.5923(2), En 1839

prints in musée carnavalet l’école des voyageurs

The Brentford Race for the Middlesex Septennial Plate, William Dent, 1784

prints by william dent in the british museum satirical prints in the british museum

The Brentford Race for the Middlesex Septennial Plate, William Dent, 1784

prints by william dent in the british museum satirical prints in the british museum

Loyal souls; -or- a peep into the mess-room, at St James's, James Gillray, 1797

loyal souls: -or-a peep into the mess-room, at st james's prints by james gillray in the british museum

Het martelaarschap van Jakobus de Meerdere Het martelaarschap van Christus en de apostelen (serietitel), RP-P-OB-10.391, Maerten de Vos, between 1577 and 1582

prints by hendrick goltzius in the rijksmuseum amsterdam the illustrated bartsch 291–300

The Republican attack., James Gillray, 1795

prints by james gillray in the british museum satirical prints in the british museum

The new Prussian exercise or the allied armies distressed in their rears with a hint at the convenience of sans coulottes, Isaac Cruikshank, 1792

prints by isaac cruikshank in the british museum satirical prints in the british museum

Inconvénients d'un lampion éteint. n°2 de l'album Les Embellissements de Paris, G.5894, Frédéric Bouchot

prints in musée carnavalet frédéric bouchot

Petit souper, a la Parisienne; -or- a family of sans-culotts refreshing, after the fatigues of the day, James Gillray, 1792

prints by james gillray in the british museum satirical prints in the british museum

The French Consular-Triumverate, settl'ing the New Constitution., James Gillray, 1800

prints by james gillray in the british museum satirical prints in the british museum

The Death of Nelson, 21 October 1805, Arthur William Devis, 1807

oil paintings of the royal museums greenwich death of horatio nelson in art

Plus on avance, moins on pénètre l'horrible mystère. (caricature). G.8727 (1 of 2), Vers 1837 — 1847

engravings in musée carnavalet symbolism

A new way to pay the national-debt, James Gillray, 1786

a new way to pay the national debt, dedicated to mons. necker prints by james gillray in the british museum

Rights of man alias French liberty alias entering volunteers for the republic, Isaac Cruikshank

prints by isaac cruikshank in the british museum satirical prints in the british museum

Rights of man alias French liberty alias entering volunteers for the republic, Isaac Cruikshank

prints by isaac cruikshank in the british museum satirical prints in the british museum

The days we live in!!, Isaac Cruikshank, 1797

prints by isaac cruikshank in the british museum satirical prints in the british museum

A new Dutch Exercise, Isaac Cruikshank, 1793

prints by isaac cruikshank in the british museum satirical prints in the british museum

Intended bonne farte raising a southerly wind., Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Intended bonne farte raising a southerly wind., Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

The real cause of the present high-price of provisions, or, a view on the sea coast of England, with French agents, smuggling away supplies for France'., James Gillray, 1795

prints by james gillray in the british museum satirical prints in the british museum

Dès que je mis le pied dans l'île, je fus assailli d'animaux étranges au service de l'état. caricature, G.8735(2), Vers 1837 — 1847

anthropomorphic rats symbolism

Portret van Agostino Barbarigo en de personificaties van Wetenschap, Staatsrede en Zorgvuldigheid Numismata virorum illustrium ex Barbadica gente (serietitel), RP-P-1985-386-147, Robert van Audenaerde, between 1673 and 1743

prints by robert van audenaerde in the rijksmuseum amsterdam prints of cartouches in the rijksmuseum amsterdam

The Rights of Man; -or- Tommy Paine, the little American taylor, taking the measure of the crown, for a new pair of Revolution-breeches, James Gillray, 1791

prints by james gillray in the british museum satirical prints in the british museum

The Rights of Man; -or- Tommy Paine, the little American taylor, taking the measure of the crown, for a new pair of Revolution-breeches, James Gillray, 1791

prints by james gillray in the british museum satirical prints in the british museum

Exhibition of the Times, consisting of Emblems & Caricatures, original, political, humourous and satirical ... Plate the First, William Dent, 1788

prints by william dent in the british museum satirical prints in the british museum

Faut encore que vous ayez un fameux coup dans la tête pour nous mener sans pain dans des chemins comme ça, Hippolyte Bellangé, En 1830

collections of maison de balzac hippolyte bellangé

La Mort balaye le Monde. Portrait-charge du vicomte de Siméon. Paris Musées 20230612083831, Vers 1829 — 1831

drawings in musée carnavalet symbolism

La Mort et le fossoyeur. Paris Musées 20230612084300, Vers 1829 — 1831

drawings in musée carnavalet symbolism

Search-night; -or- state-watchmen, mistaking honest-men for conspirators. -Vide state arrests, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Taming of the shrew:-Katharine & Petruchio:- the modern Quixotte, or what you will., James Gillray, 1791

prints by james gillray in the british museum satirical prints in the british museum

The Corporation hogs journey to Smithfield in stile. Or Aldermen turn'd pig show men, Isaac Cruikshank, 1790

prints by isaac cruikshank in the british museum satirical prints in the british museum

Te Rauparaha wearing a cocked hat and tunic, sepia wash over pencil by Richard Aldworth Oliver, 1852

richard aldworth oliver te rauparaha

Dès que je mis le pied dans l'île, je fus assailli d'animaux étranges au service de l'état. caricature, G.8735(1), Vers 1837 — 1847

engravings in musée carnavalet symbolism

Le Bien. Le Mal. 60, G.5744 (3 of 3), Victor Adam, Entre 1837 et 1840

engravings in musée carnavalet victor adam

La Mort fait un discours. ncipal, Vers 1829 — 1831

drawings in musée carnavalet symbolism

Alecto and her train, at the gate of Pandaemonium:-or-The recruiting sarjeant enlisting John-Bull, into the Revolution Service., James Gillray, 1791

prints by james gillray in the british museum satirical prints in the british museum

Hell in an uproar: or an express from the committee, Isaac Cruikshank, 1790

prints by isaac cruikshank in the british museum satirical prints in the british museum

The Wooden Walls of Old England. This Print from the Original Picture in the possession of the Earl of Coventry Is respectfully dedicated to the British Navy (caricature) RMG PW3754, Robert William Buss

prints, drawings and watercolours of the royal museums greenwich robert william buss

Tha apples and the horse-turds; -or-Buonaparte among the golden pippins, James Gillray, 1800

prints by james gillray in the british museum satirical prints in the british museum

Midas, transmuting all, into paper, James Gillray, 1797

prints by james gillray in the british museum satirical prints in the british museum

L'INDIFFERENCE EN MATIERE D'OPINION POLITIQUE. G.5853, Hippolyte Bellangé, En 1832

prints in musée carnavalet hippolyte bellangé

L'INDIFFERENCE EN MATIERE D'OPINION POLITIQUE. G.5853(2), Hippolyte Bellangé, En 1832

prints in musée carnavalet hippolyte bellangé

Les études sont pénibles, coûteuses, mais les étudiants sont intrépides.(Caricature). G.8728 (1 of 2), En 1841

engravings in musée carnavalet symbolism

Pantagruel's victorious return to the court of Gargantua. After extirpating the soup-meagres of Bouille Land., James Gillray, 1794

prints by james gillray in the british museum satirical prints in the british museum

Singeries. Morales, Politiques, etc. Planche 2, Paris Musées 20230708084801, En 1832

symbolism singeries

Les Gardes Françaises amènés au Palais-Royal. D.9067, Jean-Baptiste Lesueur, between 1789 and 1790

drawings in musée carnavalet jean-baptiste lesueur

Les Gardes Françaises amènés au Palais-Royal. D.9067(2), Jean-Baptiste Lesueur, between 1789 and 1790

drawings in musée carnavalet jean-baptiste lesueur

Siege of the Pompey-Science Column in the pillory., James Gillray, 1799

prints by james gillray in the british museum satirical prints in the british museum

Zin zin baoun – baoun – baoun – zin baoun zin baoun zin – zin – zin .. Entrrrrrrrrrrrez, messieu, Auguste Desperet, En 1833

collections of maison de balzac camille de montalivet

Meeting of the monied interest;-, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Exhibition of a democratic-transparency, -with its effect upon patriotic feelings:, James Gillray, 1799

prints by james gillray in the british museum satirical prints in the british museum

Exhibition of a democratic-transparency, -with its effect upon patriotic feelings:, James Gillray, 1799

prints by james gillray in the british museum satirical prints in the british museum

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